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Sounds that Inspired us to Play the Hammond.....


HammondDave

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There are many... But I will start with Pete Robinson.... Talk about overdrive....

 

[video:youtube]http://m.youtube.com/watch?v=Efvq2mOOUOw

 

 

'55 and '59 B3's; Leslies 147, 122, 21H; MODX 7+; NUMA Piano X 88; Motif XS7; Mellotrons M300 and M400’s; Wurlitzer 206; Gibson G101; Vox Continental; Mojo 61; Launchkey 88 Mk III; Korg Module; B3X; Model D6; Moog Model D

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And of course.... Booker T....

 

[video:youtube]

'55 and '59 B3's; Leslies 147, 122, 21H; MODX 7+; NUMA Piano X 88; Motif XS7; Mellotrons M300 and M400’s; Wurlitzer 206; Gibson G101; Vox Continental; Mojo 61; Launchkey 88 Mk III; Korg Module; B3X; Model D6; Moog Model D

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Jimmy Smith on The Sermon (1956), Back at the Chicken Shack (1960), Organ Grinder Swing (1965), etc.

 

[video:youtube]http://www.youtube.com/watch?v=CkyTS_-Pqqw

 

Steve Winwood on Gimme Some Lovin' (1966)

 

[video:youtube]

 

Matthew Fisher on A Whiter Shade of Pale (1967)

 

[video:youtube]

 

Roy Phillips with the Peddlers (1969)

 

[video:youtube]http://www.youtube.com/watch?v=CXe1UyPA-p8

 

Eddy Louiss on Orgue (1971) and Orgue 2 (1972)

 

[video:youtube]

 

Keith Emerson on Tarkus (1971)

 

[video:youtube]http://www.youtube.com/watch?v=YJINce7l3P4

 

Thijs van Leer on Focus 2 (1971) and Focus 3 (1972)

 

[video:youtube]

 

Brian Auger on Streetnoise (1973)

 

[video:youtube]

 

Jan Hammer on Timeless (1974)

 

[video:youtube]

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Love the chorale speed on this stuff.

 

[video:youtube]http://www.youtube.com/watch?v=fDiPEnqfoC0

 

 

Home-made Leslie for the win! And includes probably one of the most iconic Mellotron intros ever.

 

[video:youtube]

 

 

The overdrive on the organ is incredible on this track. And the ending!

 

[video:youtube]http://www.youtube.com/watch?v=QQKVqVpoMxw

 

 

And of course, the master.

 

[video:youtube]

 

 

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It is rather a contrast from trying (and to a fair extend succeeding) to remaster the latest Megadeth album (for personal use of burning it on CD, coming from HDtracks), but these are examples of actual main influences of mine for playing organ, even though I never had a cool, warm and broad sounding Hammond, except maybe for my progress (today again) with the complicated Kurzweil signal paths:

 

[video:youtube]

 

[video:youtube]

 

[video:youtube]

 

The last example isn't really what I set out to search, which was "classical hammond hits" or something from one of those great sounding 60s or 70s LPs, but it gets the point across very well: post a demo of ANY plugin/virtual instrument/5 keyboard multi-layer, with 2 vents and 3 production effects and GET THAT SOUND. Seriously.

 

 

 

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I suppose the first Hammond in a rock/R&B setting I heard was Booker T and Green Onions, but Felix Cavaliere and the Young Rascals were also very early (1966).

 

Here's a cool live version of Since I Fell For You. Notice no bass player. Don't know if Felix was supposedly covering bass but it sounds pretty light.

[video:youtube]http://www.youtube.com/watch?v=Zw5WG2xyUBQ

 

Other major early influences included Bloomfield Kooper (learned all my greasy blues licks from Al), America (The Nice) and of course Hush.

 

Busch.

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Absolutely! Roundabout did it for me as well.... Raised the bar!

'55 and '59 B3's; Leslies 147, 122, 21H; MODX 7+; NUMA Piano X 88; Motif XS7; Mellotrons M300 and M400’s; Wurlitzer 206; Gibson G101; Vox Continental; Mojo 61; Launchkey 88 Mk III; Korg Module; B3X; Model D6; Moog Model D

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I suppose the first Hammond in a rock/R&B setting I heard was Booker T and Green Onions, but Felix Cavaliere and the Young Rascals were also very early (1966).

 

Here's a cool live version of Since I Fell For You. Notice no bass player. Don't know if Felix was supposedly covering bass but it sounds pretty light.

[video:youtube]http://www.youtube.com/watch?v=Zw5WG2xyUBQ

 

Other major early influences included Bloomfield Kooper (learned all my greasy blues licks from Al), America (The Nice) and of course Hush.

 

Busch.

 

Wow! Never heard that song done by the Rascals before... Yeah' he was kicking bass.... Totally agree with your mention of Kooper.... And Emo....

'55 and '59 B3's; Leslies 147, 122, 21H; MODX 7+; NUMA Piano X 88; Motif XS7; Mellotrons M300 and M400’s; Wurlitzer 206; Gibson G101; Vox Continental; Mojo 61; Launchkey 88 Mk III; Korg Module; B3X; Model D6; Moog Model D

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[video:youtube]

 

In elementary school, when this came out, I identified the organ only as "keyboards", but loved the sound, and still do.

 

Oh, and I think this might be my 100th post. It has only taken me five years to get here, even though I read posts almost every day.

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Oddly enough and before I started listening to Yes, ELP and others, Jimmy Greenspoon of Three Dog Night was the guy that inspired my interest in the Hammond organ and Leslie. IMO, a very underrated player.

John Cassetty

 

"there is no dark side of the moon, really. As a matter of fact it's all dark"

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I was a child of the 80s, but spent my high school years listening to late 60's rock. One of my favourite bands from that period was Humble Pie - I fell in love with the thick, greasy sound of the Hammond on tracks such as:

 

Desperation:

[video:youtube]

 

Wrist Job:

[video:youtube]http://www.youtube.com/watch?v=http://www.youtube.com/watch?v=hbYaYIukLp8

 

Unfortunately, the recording/encoding quality of those clips are pretty terrible - I'll have to listen to the proper stereo versions on my CD remasters over the weekend. ;)

 

Cheers,

James

x

Employed by Kawai Japan, however the opinions I express are my own.
Nord Electro 3 & occasional rare groove player.

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Oh my, almost forgot that Ken Hensley of Uriah Heep really rocked me in the early '70s. I still love to listen to July Morning and the sound that Hammond made! Very classic sound.

John Cassetty

 

"there is no dark side of the moon, really. As a matter of fact it's all dark"

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Hi all-newbie here..

 

I was fortunate enough to begin playing keyboard in the early seventies (wow, I should be so much better than I am, for playing so long), anyway, and idolized Greg Rollie of Santana, Jimmy Greenspoon of Three Dog Night, Ken Hensley of Uriah Heep, learning all their solos, and of course when Deep Purple came about, I was so happy to be able to play the instrument that made THAT sound!! RIP Jon Lord...

 

I remember lugging around (or rather having our parents do the luggin')an M2 with added percussion by Trek products, and a REAL Leslie 147 to every gig just to have that sound!

 

Can't really pick a song that sold me on the Hammond sound, but I knew I preferred the Hammond over the likes of the Vox, Farfisa and the rest (even though I started off with a Whitehall Combo organ-yikes!)

 

I think it was simliar to my preference for the Wurly over the Rhodes, and later the Roland stuff over that DX thing, etc., etc.. :)

 

 

 

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For a taste of what I loved about Jimmy Calire, visit

Clonk

Scroll down to

Raven | Change is Gonna Come

studio 1996

Tony Galla/Vocals, Jimmy Calire/Hammond B3, John Weitz/Guitar, Gary Mallaber/Drums, & Tom Calandra/Bass

 

 

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... and of course when Deep Purple came about, I was so happy to be able to play the instrument that made THAT sound!! RIP Jon Lord...

 

Another one that played a big influence with the Hammond for me.

John Cassetty

 

"there is no dark side of the moon, really. As a matter of fact it's all dark"

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Ray, Ray and more Ray :cool:
I absolutely love Ray Charles' organ playing. Ignorant and genius all at the same time.

 

I grew up on classic rock, so I always dug the sound of the organ, but coming of age in the 80's, I didn't necessarily know what that organ was. I remember seeing a Beatles book cover, one pic of each Beatle, and Paul was sitting behind this thing that just looked so freaking cool, I had to have one. Found out it was a Hammond, started saving every penny of my lawn mowing money. $1600 (and a year and a half) later, I had an M-3 and 122a. That was around '86-87. Winwood and Finnegan's playing on Electric Ladyland was a HUGE influence on how I heard things back then, even to this day. I learned about all the Jimmy McSmiths a few years later.

 

Nowadays, I mainly wanna sound like either Charles Hodges, Ray Charles, or Larry Young.... :laugh:

A ROMpler is just a polyphonic turntable.
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