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Hey fretless guitar players...


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Filling the fret slots with single ply guitar binding material works better, and is more visible. Glue 'em in with elmers or tightbond, trim the excess binding off and sand it smooth. Then you can epoxy the whole fretboard to protect the rosewood, and sand/buff it to a mirror finish.

 

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Whatever products are used, I would have to see the fret-markers on a guitar before I would try one on for size...I would love to try playing a standup bass without the frets or markers, as I know I would have some fun with it.
Take care, Larryz
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Filling the fret slots with single ply guitar binding material works better, and is more visible. Glue 'em in with elmers or tightbond, trim the excess binding off and sand it smooth. Then you can epoxy the whole fretboard to protect the rosewood, and sand/buff it to a mirror finish.

 

You could also use wood veneer strips- like maple- to fill in the slots...

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Never tried it myself, but I've had two luthier friends warn me that if you pull the fretwire, you want to replace it with a material that's pretty damned hard, to compensate for the loss of mass & material on the neck. Otherwise, the constant pressure from string tension can cause the filler to compress, leaving you with a nicely bowed neck. I recall one of them doing a de-fretting on a friend's bass, and using some heavy-duty synthetic for filler. It came out white, so the fret positions were still clearly defined.

 

Oddly, I haven't seen a similar issue on guitars with scalloped fretboards, where it seems that the same principle would apply? IDK.

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Never tried it myself, but I've had two luthier friends warn me that if you pull the fretwire, you want to replace it with a material that's pretty damned hard, to compensate for the loss of mass & material on the neck. Otherwise, the constant pressure from string tension can cause the filler to compress, leaving you with a nicely bowed neck.

I recall one of them doing a de-fretting on a friend's bass, and using some heavy-duty synthetic for filler. It came out white, so the fret positions were still clearly defined.

 

This is absolutely correct. This is why wood putty, filler, etc. are not recommended for this. Not enough resistance to compression from string tension.

Dan Erlewine's books say the same thing.

When I did my fretless conversion, I used a maple veneer that had been treated with a hardener. Super rigid, hard to bend.

 

 

Oddly, I haven't seen a similar issue on guitars with scalloped fretboards, where it seems that the same principle would apply? IDK.

 

It can be a issue if too much wood is removed.

 

 

 

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