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Scarbee Vintage Keys vs. Soniccouture Broken Wurli


Jim Alfredson

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I did the key clack vs audio test and I'm coming up with .014 latency. This is my first time testing this, so I'm not sure if I'm doing it right.

 

I'm using Garageband as the host, and I couldn't find in the preferences, or in the Kontakt player, what my buffer is set to. I'm also running this on a 2.4 Ghz (Intel Core 2) Macbook Pro with 4GB RAM.

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I would choose Scarbee over MrTramp2 - and indeed would take pianoteq's wurly over MrTramp if I wanted a non sample based solution. I own all three of those. Have not tried the Soniccouture, but will probably grab it at some point. The demos sound impressive, and there is enough positive feedback out there to convince me.

 

All that said - I use Scarbee live routinely, through the VKFX plugin, and it is astoundingly good and extremely playable. I would rather play it than most wurlys.

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I actually downloaded Mr. Tramp2 last night. The Privia PX-3 Wurli sounds better, imo.

 

My issue with all the Wurli emulations I have now, including Pianoteq, is that they are too clean. I currently have at my disposal the Privia, the Motif ES rack, Mr. Tramp2, and Pianoteq. The reason I'm drawn to the Soniccouture is because it can be really dirty if need be but even the raw sound has that funkyness that a real Wurli has.

 

Last year I ran the Motif ES rack Wurli sound through a small guitar distortion pedal to get some grit. It was pretty good. I might just stick with that for the time being.

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I agree about the "too clean", which is why I run Scarbee (or Piantoeq Wurly) through the VKFX plugin . Lately sometimes Amplitude instead, but the VKFX does the trick pretty well, can be subtle and is not resource intensive.
Moog The One, VV 64 EP, Wurlies 200A 140 7300, Forte 7, Mojo 61, OB-6, Prophet 6, Polaris, Hammond A100, Farfisa VIP, ,Young Chang 6', Voyager, E7 Clav, Midiboard, Linnstrument, Seaboard
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You might also want to look at Sampletekks tubed Wurly, which was sampled through a Fender Twin.
Moog The One, VV 64 EP, Wurlies 200A 140 7300, Forte 7, Mojo 61, OB-6, Prophet 6, Polaris, Hammond A100, Farfisa VIP, ,Young Chang 6', Voyager, E7 Clav, Midiboard, Linnstrument, Seaboard
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I've been pretty happy with the Scarbee Wurly that I use whenever I don't take my real one out. I run it through a gtr amp simulator for a little grit which helps. My only complaint is that it spanks a little too easily, but that's probably more an issue of the limited curves offered by my POS controller. I'm not familiar with the other option you mentioned.

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Last year I ran the Motif ES rack Wurli sound through a small guitar distortion pedal to get some grit. It was pretty good. I might just stick with that for the time being.

 

The Motif wurlys ain't horrible.

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You might also want to look at Sampletekks tubed Wurly, which was sampled through a Fender Twin.

I checked out the demos a while back and thought it lacked presence. I think it would get buried in a mix.

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Today for our first rehearsal I just used the Motif ES rack Wurli. It actually sounds really good. I'd like to increase the tremolo effect but I seem to recall that involves using the computer-based editor, is that correct? Or can I do it from the front panel?

 

I'm broke as an unfunny joke right now so no new software for me. Tough winter. I'm glad to be back on the road making some money.

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Thanks for the heads-up. What's your system?

 

I'm reading the Motif ES manual PDF. Anyone know if the Wurli tremolo is actually coming from the effects section or is it just an LFO? I should've brought the rack back to my hotel room to mess with tonight. Oh well.

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I think I wrote up my Wurly review in the earlier Rhodes review a few weeks back, as that one went off on tangents for all the other electro-mechanical keyboards.

 

I have retired my Scarbee Wurly library since buying Soniccouture's Broken Wurly. The Soniccouture library seems better able to react to playing nuances, and is quite versatile even if you're looking for clean. The sampling is excellent as is the programming. I find the samples themselves to have more detail due to mic positions and how the sessions were run.

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Ok, I have been happily using Scarbee live for years, but this thread is forcing me to get Broken Wurly later today.
Moog The One, VV 64 EP, Wurlies 200A 140 7300, Forte 7, Mojo 61, OB-6, Prophet 6, Polaris, Hammond A100, Farfisa VIP, ,Young Chang 6', Voyager, E7 Clav, Midiboard, Linnstrument, Seaboard
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Just listened to the Scarbee Pianet.

Once again I have to raise the question asked here before,

why won't Nord offer me a Pianet for download to my E3?

Locating a decent sound source can't be rocket science.

BTW Broken Wurly sounds great.

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Thanks.

I must have missed that when I downloaded a couple of things the other day from their website.

Although after listening to that tiny snippet from their soundsample it certainly didn't have any of the sound qualities I recognize from classic recordings.

I will download it in the next couple of days and mess around with it.

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