Phil W Posted November 27, 2011 Author Share Posted November 27, 2011 saxophone solo unaccompanied ? [video:youtube] [video:youtube] http://philwbass.com Link to comment Share on other sites More sharing options...
kenfxj Posted November 27, 2011 Share Posted November 27, 2011 [video:youtube] Push the button Frank. Link to comment Share on other sites More sharing options...
lug Posted November 28, 2011 Share Posted November 28, 2011 Jazz audiences will clap for anything. True, but they are the only audience that can clap in 17/8ths time. You can stop now -jeremyc STOP QUOTING EVERY THING I SAY!!! -Bass_god_offspring lug, you should add that statement to you signature.-Tenstrum I'm not sure any argument can top lug's. - Sweet Willie Link to comment Share on other sites More sharing options...
The Bear Jew Posted November 28, 2011 Share Posted November 28, 2011 Victor has a point. If you're playing something with a groove, there's something for the average person's focus. People can relate to grooves. To put it another way (and I know I've said this before), the average non-musician audience member is looking for something they understand in the music... something universal. If they're checking out a band with a vocalist, you'd better believe they're focused on that person because they can relate to a singer--after all, almost everyone understands singing because almost everyone has been singing since preschool. We're born with voices, so we all relate to that aspect of music to some degree. But we're not born with instruments, so, in order to pull the average person into a solo instrumental performance, you've got to do something with it that makes sense to folks. Like, as Victor says, grooving. Folks might not understand your beautiful, melodic phrasing as anything other than pretty (but boring) wankery... but if you drop something rhythmic and engaging and elaborate on that incrementally, it's a more familiar experience for the audience, and they're more likely to relate to it. \m/ Erik "To fight and conquer in all your battles is not supreme excellence; supreme excellence consists of breaking the enemy's resistance without fighting." --Sun Tzu Link to comment Share on other sites More sharing options...
Russkull Posted November 28, 2011 Share Posted November 28, 2011 Jazz audiences will clap for anything. True, but they are the only audience that can clap in 17/8ths time. Har!!! Too funny. It's already been stated, but I think in a band situation, solos of any type (bass, g*****r, etc.) are best when they are short, sweet, and leave the audience wanting more. If eyes are starting to glaze over, it's probably time to quit. "Of all the world's bassists, I'm one of them!" - Lug Link to comment Share on other sites More sharing options...
Michele C. Posted November 28, 2011 Share Posted November 28, 2011 Listening to Micheal Brecker's solo, I think we should add one more element to the picture. MB creates a magic atmosphere not just running scales: the magic comes from using all register of the instrument's timbre. This adds one more element to the picture, I think. The bass has a much more limited palette of sounds, compared to this sax, therefore you cannot create a magic atmosphere in the same way: you have to play with some different device, like rhythm, harmony (double stops), melody. -- Michele Costabile (http://proxybar.net) Link to comment Share on other sites More sharing options...
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