Jump to content
Please note: You can easily log in to MPN using your Facebook account!

re-engineering a jazz bass control panel


tad sharpe

Recommended Posts

I'm a retired electronic engineer and plan to redo the control panel for my fender MIM jazz bass. I'm brainstorming for what kind of controls and features it should have and am open for suggestions. so far I want to put in a compressor, and a one button distortion mode. lit controls. I'm having a creative constipation and no other ideas are coming out. Any ideas as to what ya'd love to have in a bass control panel?
Link to comment
Share on other sites

  • Replies 14
  • Created
  • Last Reply
Inboard uranium ashtray? Seriously, I'd look for a way to lose the loading effect that happens when both knobs are all the way up. I hate the volume drop it causes.

Always remember that you are unique. Just like everyone else.

 

 

 

 

Link to comment
Share on other sites

...

 

An onboard tuner would be a nice touch.

 

...

 

I remember seeing this on some really strange sci-fi high-end bass made by some strange dentist guy. I tried to look for it and stumbled upon this, which seems rather interesting.

(up to 200 characters) You may use UBBCode in your signature.
Link to comment
Share on other sites

I'd go:

 

Master volume, pickup blend, treble, bass

 

I'd like to be able to run my Jazz with both pickups up equally to get that humbucker effect, but still be able to adjust the volume.

"Tours widely in the southwestern tip of Kentucky"
Link to comment
Share on other sites

Hey welcome back Geoff.

 

I would like to see a three way parametric EQ.

Feel the groove internally within your own creativity. - fingertalkin

 

Link to comment
Share on other sites

I'd go:

 

Master volume, pickup blend, treble, bass

 

 

My Franken Jazz is pretty close -

 

Master volume, pickup blend, master tone

 

I like it. And master tone suits me prretty well as II don't use it much anyway.

 

But I didn't hack it, I had it built that way. Just made sense when I was asked how I wanted it wired.

 

Back on topic - Not sure about on board effects. Unless they were somehow modular or swappable. Not sure I'd want to be stuck with any one thing in there 'permanently'. But then I don't really use them anyway. So I'll just back out.....

Link to comment
Share on other sites

I'd go through old ideas that are done during the last 50 years:

- check Burns' voicings

- remember the effects that artists have been using

* Pino's octaver

* Stanley's many compressors

* Jaco's Eventide

* Doug Wimbish's signature basses (Cort and Ibanez) and pedalboard

- Vigier and WAL were probably the first to use parametric eq

* try to find data about the truly exotic Vigier Nautilus preamp

* WAL has built-in DI

- Alembic preamps

- Lightwave microphones

- Zon's Hyperbass and its piezos

- EBow?

- QUAD-like tilting eq, EMG has done something similar

- microphone connections

* serial, parallel, single coil

* Bartolini has quad coil...

- MIDI (from Steve Chick to sonuus B2M)

- for more strange ideas, check BOND guitar and its electronics (http://guitarcollecting.co.uk/2009/01/05/bond-electraglide/)

 

Have I now opened the Pandora's box?

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

×
×
  • Create New...