jsaras Posted February 3, 2009 Share Posted February 3, 2009 I have a fairly decent technique at the piano. I can play all the usual scales in contrary motion and I can play the Two-Part Inventions and not sound like an idiot...just to give you an idea of where I am with my technique in general. Anyway, I've noticed that the weakest link in my technique is playing things that require the thumb to land on a black note. For example, the two-octave B major pentatonic scale is a killer. I use 1234 123 1235 as my fingering. Obviously a "thumb-under" approach doesn't work here. I am aware of the use of hand rotation and the elbow pulling the arm along, which almost produces a "thumb-over" technique. How do you get your thumb to land securely on those black notes? Thanks, J Link to comment Share on other sites More sharing options...
kanker. Posted February 3, 2009 Share Posted February 3, 2009 In the case you mentioned, I would put the thumb on B, then F#, then C#. The fingering would then be 123 123 12345 That puts the thumb in more natural positions on the keyboard, with the thumb generally having a good deal of space between notes to be clumsy Other than that, it just takes practice... A ROMpler is just a polyphonic turntable. Link to comment Share on other sites More sharing options...
jsaras Posted February 3, 2009 Author Share Posted February 3, 2009 OK, but one needs to practice a correct habit over and over...what part of the thumb should make contact with the key? On white keys the hand position can be kinda high and you can keep your thumb knuckle fully extended and land top dead center of the tip of the thumb without problems. On black keys that approach is extremely diffucult because the keys aren't as wide...so you have to almost aim for the thumb joint. There's gotta be someone here who's had too much classical training! Link to comment Share on other sites More sharing options...
yorgatron Posted February 3, 2009 Share Posted February 3, 2009 you're going about this all wrong. if ever there's a situation where the song is supposed to be in the key of "B" you should insinuate that the singer is straining on the higher notes,and then suggest the song be played in "Bb" to spare their voice. problem solved unless you're singing,in which case you should have learned it in a different key to avoid this problem... Link to comment Share on other sites More sharing options...
Legatoboy Posted February 3, 2009 Share Posted February 3, 2009 Just a little tangent here, If you practice playing scales in thirds (minor&major) it tends to have the effect after some weeks of proping the hands up a bit and I found it helped my accuracy for thumb turns also. SP6, CP-50,YC 73, FP-80, PX5-S, NE-5d61, XK-3, CX-3, Yamaha YUX Upright, '66 B3/Leslie 145/122 Link to comment Share on other sites More sharing options...
delirium Posted February 3, 2009 Share Posted February 3, 2009 sucking your thumb will strengthen it. http://planetsean.blogspot.com/uploaded_images/bushthumbReuters1-792019.jpg ♫♫♫ motif XS6, RD700GX Link to comment Share on other sites More sharing options...
kanker. Posted February 3, 2009 Share Posted February 3, 2009 OK, but one needs to practice a correct habit over and over...what part of the thumb should make contact with the key? On white keys the hand position can be kinda high and you can keep your thumb knuckle fully extended and land top dead center of the tip of the thumb without problems. On black keys that approach is extremely diffucult because the keys aren't as wide...so you have to almost aim for the thumb joint. There's gotta be someone here who's had too much classical training! I guess it depends who you ask, but in my case I play notes with my thumb mostly with the side of my thumb. A ROMpler is just a polyphonic turntable. Link to comment Share on other sites More sharing options...
Mexico Charlie Posted February 3, 2009 Share Posted February 3, 2009 My brother, a monster pianist, had this to say about it when I asked him if it was OK to use the thumb on a black key. "Sure. why not. actually if you turn your hand just slightly sideways and use the side of the thumb around the knuckle its very easy. "The only people that say don't use your thumb on black keys are nuns!" Link to comment Share on other sites More sharing options...
Dave Ferris Posted February 3, 2009 Share Posted February 3, 2009 . The fingering would then be 123 123 12345 ..... Other alternate fingerings could be: 23-123-123-124 The next two are Debussy fingerings: 234-234-23-234 234-234-234-35 1234-23-12345 12345-12345-1 or 5.....you have to have strong finger independence to play leagato. https://soundcloud.com/dave-ferris 2005 NY Steinway D Yamaha AvantGrand N3X, P-515, CP88, Link to comment Share on other sites More sharing options...
kanker. Posted February 3, 2009 Share Posted February 3, 2009 . The fingering would then be 123 123 12345 ..... Other alternate fingerings could be: 23-123-123-124 The next two are Debussy fingerings: 234-234-23-234 234-234-234-35 1234-23-12345 12345-12345-1 or 5.....you have to have strong finger independence to play leagato. Yeah Dave, all of those a beauties, real technique builders but not killers. A ROMpler is just a polyphonic turntable. Link to comment Share on other sites More sharing options...
Legatoboy Posted February 4, 2009 Share Posted February 4, 2009 Del, I've never heard about not using your thumb on black keys, that's a very strange idea to me! BTW, do you know about these thumb sucker photo cards: WDeck . . . sucking your thumb will strengthen it. http://planetsean.blogspot.com/uploaded_images/bushthumbReuters1-792019.jpg SP6, CP-50,YC 73, FP-80, PX5-S, NE-5d61, XK-3, CX-3, Yamaha YUX Upright, '66 B3/Leslie 145/122 Link to comment Share on other sites More sharing options...
retrokeys Posted February 4, 2009 Share Posted February 4, 2009 This is the kind of thing Dave Horne would have worked out years ago and it would have been correct too. Where has he been lately? Link to comment Share on other sites More sharing options...
jsaras Posted February 4, 2009 Author Share Posted February 4, 2009 The Debussy fingerings are interesting. It would probably take some time getting used to not using the thumb at all. Link to comment Share on other sites More sharing options...
delirium Posted February 4, 2009 Share Posted February 4, 2009 The Debussy fingerings are interesting. It would probably take some time getting used to not using the thumb at all. that would be thumbles... ♫♫♫ motif XS6, RD700GX Link to comment Share on other sites More sharing options...
Dave Ferris Posted February 4, 2009 Share Posted February 4, 2009 I've never heard about not using your thumb on black keys, that's a very strange idea to me! Debussy wrote a lot in the keys of Db,B, Gb and E. A lot of his music have Pentatonic passages in them. One piece, Etude #6 Book I, is played not using the thumb at all, you are alternating lines between the LH & RH hands using the 5432 (LH) 2345 (RH) fingering. A great study for legato, finger strength and independence. It can take some getting used to, but once you get accustomed to the hand position, it's actually easier to get a more legato, connected sound in those kind of passages. https://soundcloud.com/dave-ferris 2005 NY Steinway D Yamaha AvantGrand N3X, P-515, CP88, Link to comment Share on other sites More sharing options...
jsaras Posted February 4, 2009 Author Share Posted February 4, 2009 I just had an extended conversation with my classical accordionist friend, Nick Ariondo, and he gave me the following fingerings that really make great sense. 12 123 12 1235 12 123 123 124 231 231 21 235 The one thing that these fingerings have in common is that the crossover to a black note is only done from the C# to D# and never under the 4th finger. The short crossover distance helps to maintain good hand position. Also, these fingerings are basically three finger runs, a device that Art Tatum loved to use. That will be $75 for the lesson! Link to comment Share on other sites More sharing options...
Dave Ferris Posted February 5, 2009 Share Posted February 5, 2009 I just had an extended conversation with my classical accordionist friend, Nick Ariondo, and he gave me the following fingerings that really make great sense. 12 123 12 1235 12 123 123 124 231 231 21 235 Those all work well too. https://soundcloud.com/dave-ferris 2005 NY Steinway D Yamaha AvantGrand N3X, P-515, CP88, Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.