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Craig Anderton's Sound, Studio, and Stage
Trends, tips, technology, tricks, talk, tales - it's your Open Mic. We're listening!
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Trending posts on MPN
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By murphybridget · Posted
It's fantastic to hear that you're finding your bass journey fulfilling and rewarding! Building a strong foundation in music theory and left-hand bass techniques can provide a solid framework for your growth as a bassist. It's great that you're leveraging resources like YouTube to supplement your learning and explore different styles and techniques. -
The secret is out, Autotune must be fuming. -
send him tickets to a Chinese opera, throw in a Harry Partch album and a subscription to an Oud channel. This. 12-tone equal tempered tuning is a cultural learnt thing, and it’s hardly a secret that musicians spend more time focused on learning it.
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If I could have a tenth of her talent and a tenth of her stage presence, I would be 10 times the performer I am now. She's pretty bada$$ in my book. -
@AnotherScott I see I do like the Casio CT-S500 but I wonder, If I could add more cash (even x5/x6 times the price theoretically) and get a better , more professional lightweight portable board that has improvement in any number of the following categories: * better sound engine * a drawbar organ engine with drawbars * more keys than 61, up to 76 * better/louder speakers Things I'd compromise about given these^: * a marginal weight increase * NO built in speakers, but has the ability to be powered either by batteries or a battery pack I can't find anything... I know there is the CK61, but from reviews I read, the action is... worse? and according to a YouTube review, most of the non piano/EP sounds e.g synths, pads, choirs are absolutely horrendous. So... having NOT played the Yamaha, would you say the Casio better than the Yamaha in every way except for the interface / drawbars/ split layer / audio interface etc. etc. the other stuff I didn't mentioned above that is^ I was looking at the Dexibell Vivo S1, but being metal and having a weighty software I'm not sure if it is even portable to take in public transport + long walks (+ an amp, stand etc.) The Casio CT-S500 is seemingly perfect, I just WISH it had more keys and maybe better sounds and controls, for more money ofc. P.S My problem is the Liano is: not enough sounds, the non-piano sounds are bad. But mainly, no split for bass+ upper sound. I really do need to be able to do this in ensemble situations when we have no bass player... Other wise, I'd love korg to make a more "Stage friendly" oriented liano, same form/action, with 73/76 keys, 250 QUALITY sounds and split/layer.
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In MPN’s GEARLAB
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By charliepersol · Posted
I just bought one used two days ago. I had in the past (a very past) the original ARP Odissey and an Avatar (the guitar version of the Odissey). They sounded quite differenti, and now I understand why: two different version of the filter. A friend of mine still have the all black one with coloured sliders, which Is again different, maybe two poles filter? Anyway the Behringer sounds good but a bit differenti too. My ARP had a ring modulator I used to build fabolous bell like sounds: metallic, full of harmonics. The kind of sound you can hear on Japan Tin Drum or Oil on Canvas albums. Until now I couldn't recreate this sound. Neither the Avatar did. Just my ARP Odissey I sold for little Money :( -
In V.A.S.T., be it the original V.A.S.T. or the newer vaster V.A.S.T. with Cascade and Dynamic, there are several ways you can use internal DSP sources with Samples: 1. Samples only 2. Internal DSP Oscillators only without any Sample 3. Samples mixed with internal DSP Oscillators In the new V.A.S.T., you can certainly use a multi-sampled Keymap, alongside an internal anti-aliased DSP Osc, e.g. a 2-block SINE+ for a single Layer, or even an aliased one like the old SAW+. For larger AA DSP Oscs, e.g. the 4-block SAW, you'd need to use Cascade Mode, a passthrough signal and a Mixer ALG. So these aren't mutually exclusive. Instead, what the manual seems to indicate is that if you want to do a traditional analogue subtractive synth, then you'd rather not use a Keymap, which makes sense since analogue subtractive synths don't use them at all. You can still use a Keymap's sample Envelope if it is set to Natural, even if the Sample itself isn't sounding via the Layer, say, if you have simply a 4-block AA DSP SAW. That SAW block effectively cuts off any of the Sample signal. However, as the AMPENV mode is set to Natural, it is the factory AMPENV for that multi-Sampled Keymap that is applied to the Layer. The Natural envelopes have more details than can be produced with a User AMPENV. The thing that happens with setting the Keymap to Silence is that it sets each key's amplitude to the same maximum amplitude. Maybe that's what you need in a certain program, but sometimes, if you are doing an emulative program, you could be better off actually referencing the emulation's Keymaps Sample although the latter isn't heard, with the corresponding Natural Envelope, or of course, you could just go into User Mode and make your own envelope. Hope this helps. -
Sweetwater might accept to deliver to Canada, but you will be charged transport accordingly and as anything going USA to Canada your item will go through customs and it is always possible to end up with extra fees - sometimes very expensive. I personally had a very bad experience about 10 years ago and promised myself to never import again from the USA unless the seller confirms on paper he pays for all possible customs and duties extra fees. Buying Kurzweil products in Canada has always been complicated. In the 1990s a few stores in the province kept a couple of them, but if you wanted something they didn't have you had to order sight unseen and wait months to get your purchase. That is how I bought my MIDIboard, K1200 and finally, around 2000, a PC2X. I hated the Fatar action on the PC2X from day one and swore to never buy a keyboard sight unseen ever again.
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