sunspot

I still have my XP-50 purchased from a dude on craigslist too long ago to figure out. It's standing in a hard case in my studio storage closet, blown electrolytic caps and batteries probably happily eating away at the circuit boards while they party like it's 1999. The last time I powered it up several years ago and the display still actually worked, I was pretty amazed at how good I thought some of the patches sounded, in an inspiring way. However...a truly, truly craptastic keybed...abysmal IMO, and to this day I have no idea why I actually bought the thing when I could have got a JV-1080 instead. Dumb dumb DUMB AND DUMBERER.

CrossRhodes, I just found a picture of the guy at the plastic factory who was working the controls for the D keys and high C that day:

Reeze, may I ask what kind of stands you (and others?) are using for the TX308s? I have some heavy duty tripods for my now-vintage Made In USA EV 12's but they are huge and heavy and bulky. I'd like something light and compact.

Yep same here with my Kawai K5000S. My personal favorite keybed, but I don't get the yellowing. I'd love to pick the brain of a keyboard industry insider to know why this happens. Did Fatar buy the cut-rate government cheese vats of liquid plastic that year?

Growing up in the 80’s, so many of the radio hits of that time prominently featured a poly Oberheim. Many years later after I took up keyboard, I always lusted after one (any one of em) but was put off by the high price tag and the fear of obsolete chips and maintenance upkeep required. Fast forward to a couple of years ago, and the OB-X8 was announced, and it was dream come true. Yes it was $$$, but it’s the one analog poly I had always wanted. It is by far the most expensive instrument I own (number #2 isn’t even close), but for me was totally worth it. It sounds so good and brings a smile to my face every time I sit in front of it and play it. And doesn’t even need FX (IMO) to sound amazing.

Also, some artists need to just forego performing an instrument live and stick to what they are truly gifted at...

Hmm, eerily similar...

So much quality music production knowledge has been lost, grateful that guys like Anthony are documenting their past experiences for us to enjoy.

Ah ProfD but doesn't it really depend on the particular synthesizer? Exhibit A for me is Roland D-50. So many famous presets used on everything from pop/rock music to Star Trek TNG episodes, and they ain't exactly samples or saw waves. Maybe it is a special case because it's a special synthesizer...

OK, that explains it!! All I have been missing this whole time was just a real LESLIE!! Oh, and...talent. Seriously...sounded pretty damn good to me. Great demo.

Well, thank God I still had some popcorn left from the OT Beano thread. Thanks Droptop!!

Beato has grown on me, kinda like Geddy Lee. Nails on a chalkboard at first, now love the guy...

Nice job MC! Man that cream Obie Four Voice, you are blessed bro...

Thanks for posting those YouTube links kpl. Greg is incredible...and now am I the only one who has a crush on The Pocket Queen?? Man that gal can play the skins.

Lol, I misread the title as "Beato" and immediately went to the pantry for some popcorn...