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Dana.

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About Dana.

  • Birthday 11/30/1999

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    Brooklyn

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  1. Of all the boards with TP100 I've played, I thought it felt the best in the Arturia KeyLab 88. I suspect this is because of the aftertouch. Worst: Nord.
  2. Well, you certainly don't need a great action to coax the measly three dynamic levels out of the Triple Strike sample. I can't imagine playing organ on it.
  3. The one he's referring to is Killer Klowns from Outer Space. My current avatar is Day of the Dead Return of the Living Dead.
  4. One of my favorite horror movies. I have many. Maybe I'll change my avatar daily to feature more of them.
  5. I wonder if this makes it feel more like the Nord Stage Compact vs. the Electro.
  6. ABECK, Thanks for providing an informative and helpful video. It outclasses much of what passes for product demos on YouTube these days.
  7. I find these statements foolish, first that you conclude Guido has a problem (based on what, exactly?), and second that he needs to turn to someone else to solve it. I'm quite certain that he is capable of delivering very good piano sounds on his own; they already sound more convincing than a sample that has been praised effusively on this site and which, quite frankly, calls into question the hearing of people who are supposed authorities on piano.
  8. I'm hearing some strange artifacts in the piano demos -- almost like percussion at the end of some notes. Otherwise, it would be great to have a modeled piano to challenge Pianoteq.
  9. This should be required reading for people who ask the question "Why can't [name of manufacturer] just give us [features]? Why is it so hard?"
  10. Based on the description and the demos, the Rhodes is highly detailed and a leap forward from MrRay73 Mark II, not to mention more realistic than anything I've heard from the latest versions of Lounge Lizard and Pianoteq, which still don't sound convincing to me. From the website: "There's no keyboardist without a good Rhodes electric piano sound. And the GSi Gemini offers what can be considered the best fusion between sound fidelity and playability. This synth engine is based on more than 10 years of experience on the physical modeling simulation of a Rhodes electric piano, everything in the "body" of each single note from the attack transient to the very last decay is purely simulated. Some minor elements are added from selected sampled sources, but the most important part of the sound is pure synthesis. Every element of the mechanical piano is virtually reconstructed in the Gemini, from the hammer, the hammer-tips, the tines, the tonebars, the pick-ups, the dampers, the output filter straight to the output jack, and they all behave exactly like in the real thing. Each of the 88 notes is simulated individually, and each note is a generator on its own, thus offering the full polyphony, no note stealing and a very natural and true to the original behavior. Plus, this new simulation features a very realistic sympathetic resonance that involves the whole "harp" that can vibrate and resonate every time a key is struck. It is really hard to tell the Gemini simulation from a real Rhodes piano, the level of realism and the number of details is very high."
  11. From the website: "The VB3-II is the exact same software that powers the Crumar Mojo and presents the same parameter set."
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