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Moonglow

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About Moonglow

  • Birthday 03/24/1962

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  • occupation
    Industrial/Organizational Psychologist
  • hobbies
    weightlifting, baseball
  • Location
    Northwest Indiana

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  1. Fun question! Back in the day I played a Prophet-5 and an OB-8, both stacked on top of the best stand ever, a CP-70B. If I had to pick between the two, a nearly impossible decision, I’d probably go with the Prophet-5, if only for sentimental reasons; it was my first polysynth. I’ve yet to hear their modern-day counterparts, the new Prophet-5 and OBX-8, so not sure if this would modulate my decision. In terms of a mono synth, I’d select the Minimoog Model D reissue. Played one at GearFest a few years ago, instantly brought me back to 1978, when I had the original model.
  2. I’m usually too busy to devote the time needed to do a “one-off” gig, but have done a handful of them over the years. I first ask to see the band’s master song list and suggest doing as many of the tunes I know or have played before. I really try to hold firm on this, as it reduces my work load (and stress) for just one gig. I then learn the songs they want to play that I don’t know, and as others have mentioned, I make detailed charts. I don’t mind learning a challenging song or two, but if there are some that involve too much work, I advise that I won’t be learning those songs. I also advise that I generally will just do the agreed-upon songs, and if they want to “call an audible” at the show I’m not comfortable with, I will happily “go get a beer” during those songs. If asked, I will make myself available for one rehearsal. I do my best to be crystal clear regarding any expectations they have of me, and if the above parameters are not acceptable, I simply decline the gig, and try to recommended someone who may be more familiar with their repertoire, no hard feelings.
  3. Yamaha Reface? 😉 If that’s a player piano, I’m wondering if it’s somehow connected to the “player” mechanism?
  4. The saxophone player, lead singer, and I have been playing together in the same band, without any breaks, for 44 years (1980-present). The sax player and I met in kindergarten, so he’s also my oldest friend. Anyone have a consistent, lasting, musical relationship?
  5. Enjoyed using that pipe organ back when I had an E-Max. The program contained a demo song, Bach’s Toccata in D minor, which my band would sometimes use as an intro when we took the stage. Definitely rattled the room.
  6. From the link in the above post, looks like it’s referred to as “Nameboard/Fallboard Felt.” I didn’t know what it was called either.
  7. I once saw someone who put black tape over the “leg” of the “R” in Roland to read “Poland.”
  8. Many moons ago, I brought out my long gone but not forgotten Prophet 5 for a large festival show. The last time I had used it was about 10-15 years prior, during the mid-late 1980s, when it was part of my regular rig. It was easily the best sounding instrument on the stage that night.
  9. Not sure if that includes the pre-game. If so, you all should be good and stewed by now!
  10. I have a Kronos and connect a Boss FS 5U pedal to the “switch” jack, which the Nautilus also has. It especially comes in handy when I don’t want to take one of my hands off the keys.
  11. I’m pretty sure Pink Floyd wrote a song about the topic, as well.
  12. One thing I liked about the GS was that the Italian grand, my favorite of bunch, was stock - including a dedicated mono patch. I think the most the Kronos 2 came with were the German, Japanese, and Berlin pianos. Of course, the Italian grand can be purchased for the Kronos ($199). Edit: Looks like the Kronos SE came with the Italian grand.
  13. Jeffrey (Keytarjeff) is a mentor and dear friend of mine - I actually think of him as a big brother - with whom I’ve had the privilege of studying under. Incredible musician (monster chops), vocalist, songwriter, and even better person. He actually just sent me some of his performances from NAMM this year that drew the attention and admiration of none other than Greg Phillinganes and Jesus Molina.
  14. If they can create the Wurlitzer experience to the same level as the Rhodes in the Crumar Seven, it should be a winner.
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