Music Player Network Home Guitar Player Magazine Keyboard Magazine Bass Player Magazine EQ Magazine
Page 1 of 2 12>
Topic Options
#989871 - 12/29/04 05:24 PM Gear Vs Clients
Matt.Hepworth
MP Hall of Fame Member


Registered: 03/13/01
Posts: 2972
Loc: Riverdale, UT

Offline
I just want to get a little better picture of how important gear branding is in the real world and would appreciate if, in addition to the poll, you'd share some examples of specific gear that seems to help pull in clients, or gear that clients are always asking for.
_________________________
No matter how good something is, there will always be someone blasting away on a forum somewhere about how much they hate it.

Top
#989872 - 12/29/04 07:44 PM Re: Gear Vs Clients
GTRBass
Gold Member


Registered: 12/03/03
Posts: 598
Loc: Los Angeles, Ca

Offline
When I've dealt with prospective clients regarding a studio project, they always want to know "do you have Protools?" Most musicians are impressed with names over the actual function or appropriate use of a particular device.

Just tell 'em Neumann, Neve and Protools. They have no idea whether that means U47, 1073, and HD versus a TLM103, Vintech X73, and Protools LE, not that either chain would be a bad choice depending upon the budget or situation.

Everybody wants a bargain...

In L.A. some people act like they expect Ocean Way Hollywood for $35.00 hr, including engineer.

Top
#989873 - 12/29/04 09:16 PM Re: Gear Vs Clients
bdbklyn Moderator
Platinum Member


Registered: 04/04/01
Posts: 1035
Loc: Los Angeles,CA,UNITED STATES

Offline
I thought the choices for the first question were a little mis worded at least from my viewpoint.
I think that clients are much more name brand oriented than we are as engineers. Especially when it comes to microphones and consoles. I had the single sounding best console in the world at the last studio I ran. It was not an SSL. Even when it was expanded to 80 full inputs and a 32 channel monitor system that folded into the mix buss it was still not an SSL. There was no one that ever heard it that didn't think it was the single best sounding console they ever heard. It still wasn't an SSL to some people and that made it a "B" room in their minds
_________________________
Studio Guru

Top
#989874 - 12/29/04 09:26 PM Re: Gear Vs Clients
Lee Flier
10k Club


Registered: 09/13/00
Posts: 15398
Loc: Atlanta,GA,UNITED STATES

Offline
Yeah, that happened at a couple of studios here in Atlanta, one of which is now closed and the other of which had to replace a superior sounding console with an SSL in order to stay open. \:\(

I find this REALLY unfortunate as there are several consoles I prefer to the SSL, and it's hard to find rooms with anything else anymore.
_________________________
What The...?
http://www.what-the.com
http://www.myspace.com/whattherock

Radio KIRA
http://www.radiokira.com


NEW CD out April 7th! >> Get it here , or here ! <<

Top
#989875 - 01/01/05 12:22 AM Re: Gear Vs Clients
Matt.Hepworth
MP Hall of Fame Member


Registered: 03/13/01
Posts: 2972
Loc: Riverdale, UT

Offline
Thank you, I appreciate the responses and you've definitely answered my questions.
_________________________
No matter how good something is, there will always be someone blasting away on a forum somewhere about how much they hate it.

Top
#989876 - 01/02/05 04:43 PM Re: Gear Vs Clients
Bill@Welcome Home Studios
MP Hall of Fame Member


Registered: 08/23/03
Posts: 7294

Offline
Quote:
Originally posted by Matt.Hepworth:
Thank you, I appreciate the responses and you've definitely answered my questions.
I have to laugh..... I've seen studios open up and they might get a killer sound. They are making wonderful recordings and they are shaking up the scene, and as they get a little more popular and a little more popular, they start to buy the products that other poeple tell them that they have to have to be 'professional', they take out big loans, then more often than not, lose their shirts and go under.

The people who come to your studio because you have XYZ in your rack are not worth having as clients. You want the people who recognise what YOU are doing for their recordings, and who trust you to buy the gear that helps you to do what you do. These are the guys who will be with you for the long haul.

Bill
_________________________
"...it's easier than hitting the kids, and almost as much fun..."

Top
#989877 - 01/07/05 05:14 PM Re: Gear Vs Clients
teaboy
Senior Member


Registered: 06/20/03
Posts: 97
Loc: England Baby

Offline
hey bill, which console was that out of curiosity?
Top
#989878 - 01/07/05 05:16 PM Re: Gear Vs Clients
teaboy
Senior Member


Registered: 06/20/03
Posts: 97
Loc: England Baby

Offline
at extasy? i've spelt that wrong i think
Top
#989879 - 01/08/05 09:43 PM Re: Gear Vs Clients
bdbklyn Moderator
Platinum Member


Registered: 04/04/01
Posts: 1035
Loc: Los Angeles,CA,UNITED STATES

Offline
Hey Teaboy....long time no see.
Yeah...you spelled it wrong ...but so did they!

It was a Neve 8078 40 input 32 monitor section with GML automation that evolved into a full 80 input with the acquisition of another 8078. It had a nice center section that allowed the mixer to access all monitoring functions, all 80 channel inputs and the 32 channel automated monitor section that folded into the mix buss.
The original console came from Motown Hittsvile in Hollywood and the second one came from an EMI broadcast studio in Cologne. The amplifiers in the were all discrete Neve BA 440's the monitor section was all Neve BA 640 (5534).
While I wasnt a fulltime music mixer at the time I was there, when I did get an opportunity to mix it was a wonderful experience. There didn't seem to be one "suck" button on that whole console.

Bill
_________________________
Studio Guru

Top
#989880 - 01/11/05 04:48 PM Re: Gear Vs Clients
teaboy
Senior Member


Registered: 06/20/03
Posts: 97
Loc: England Baby

Offline
yes... been on an extended internet and mobile phone sabatical. very refreshing!!

i thought that it might be that desk you were talking about. don't see much of that kind of thing in london sadly.

Top
#989881 - 01/13/05 10:48 AM Re: Gear Vs Clients
Themuzic
Senior Member


Registered: 05/23/01
Posts: 30
Loc: wheeling,IL,UNITED STATES

Offline
Well, if you look at what I use, you'd all probably laugh and think I'd have only a few clients here and there. The fact is, I'm booked pretty tight. Now I only run my studio at night, 4 hours a night (as I have a day job) but I have a very loyal and steady clientel. If I have a canclation, there usually someone to call and fill the opening.

My gear (especially my pres) are far below what I think most of you have but once they hear what I'm getting, there's usually no question. Now, I never set out to make this a business. It just kind of happened.

Here's a few pieces of hardware I use, if you're interested.

My pres (believe it or not) are 2 Behringer ADA8000 Ultragain Pro 8-Channel A/D D/A Converters That's it-nothing else.

Mackie HUI - DAW Controller
Edirol PC-30 Keyboard Controller
Fatar VSL-880 88 key Piano Controller
Akai MPD-16 Drum Pad Controller
Bulesky Prodesk Speaker system with sub

Pentium 4 3.2ghz 1gig Ram 40gig & 120gig HD w\Matrox Dual Video Card
2 NEC LCD Flat Screen Monitors
Steinberg VSL 2020 Sound Card
Steinberg Midex 8 MIDI Hub

2 Behringer HA4600 Headphone Distribution amp
3 Behringer ULTRAPATCH PRO PX2000 Patchbay
Roland V-Drums with the TD-20 Drum Module
Rhode NT-1a Condencer Mic
Marshall MXL 2001 Condencer Mic
3 Sure SM-57 Dynamic Mic
EV (Electrovoice) Dynamic mic 270
EV (Electrovoice) Dynamic mic 470

My main software is Cubase SX-3 and Nuendo 2 with a ton of VSTis and Effect plugins. Almost none of this is pro gear but I have over 100 happy clients so I hope my engineering skills are another reason they all keep coming back.

Maybe the engineer's skills should be added to the reason list.
_________________________
Johnny
http://www.sgrecording.com
My Music

Top
#989882 - 01/13/05 03:09 PM Re: Gear Vs Clients
Lee Flier
10k Club


Registered: 09/13/00
Posts: 15398
Loc: Atlanta,GA,UNITED STATES

Offline
Well, at the project studio level certainly the engineer's skills are the biggest factor. But at a commercial facility that has to accommodate a lot of different engineers, it's a different story. These days everybody wants to be able to travel all over the world and see the same pieces of gear in whatever studio they go to. Result, we see a great deal less diversity in the high end studios and a corresponding lack of diversity in the sound. \:\(

Yeah, it's a very sad day when a room with a Neve is a B room. I already thought it was sad when it was only Neve and SSL left in the game and Amek, Trident, API, etc. were considered niche rooms.

When it comes to art, choices are good and reductionism is bad. Guess which direction we've been headed in for the past few years?
_________________________
What The...?
http://www.what-the.com
http://www.myspace.com/whattherock

Radio KIRA
http://www.radiokira.com


NEW CD out April 7th! >> Get it here , or here ! <<

Top
#989883 - 02/11/05 04:20 PM Re: Gear Vs Clients
Funnelhead
Member


Registered: 02/11/05
Posts: 13
Loc: Montreal

Offline
I am working on getting a studio together that can handle commercial work. It will be somewhere between Bill's Neve 8078 & Johnny's project setup. I am concentrating on building up my experience and meeting new challenges as opposed to making $ every day.

IMO having some brand name equipment on hand is a good idea, but from a purely practical point-of-view, I cannot make a "Should I buy an SSL or older Neve console" choice right now. Experimenting & maximizing non-status equipment will be the order of the day. Building a mic preamp is something I am considering (JLM audio in Australia). Even choosing brand name "magnetism" is a risk as Bill points out.

I am wondering if making portfolio recordings available to clients can help to overcome some of these "knee-jerk" reactions or is that overly optimistic. What do you all think?
_________________________
"The world is a fine place and worth fighting for." - Ernest Hemingway

Top
#989884 - 02/11/05 06:51 PM Re: Gear Vs Clients
Lee Flier
10k Club


Registered: 09/13/00
Posts: 15398
Loc: Atlanta,GA,UNITED STATES

Offline
I think it depends on your overhead. If you can survive with minimal monthly expenses, you can afford to be a "boutique" studio and build up your clientele based on the actual quality of your work. I think this is the way to go these days.

If your business plan requires that you take out a sizable loan and/or have big lease payments, where you have to take on a lot of business in order to break even, then it will be tough going.
_________________________
What The...?
http://www.what-the.com
http://www.myspace.com/whattherock

Radio KIRA
http://www.radiokira.com


NEW CD out April 7th! >> Get it here , or here ! <<

Top
#989885 - 02/11/05 08:29 PM Re: Gear Vs Clients
bdbklyn Moderator
Platinum Member


Registered: 04/04/01
Posts: 1035
Loc: Los Angeles,CA,UNITED STATES

Offline
There are two types of people in this world. Those who think there are only two types of people and..... Sorry, wrong thread...

Seriously though, I know quite a few "world class" engineers who cart around hunks of junk that have a prestige vintage name on them and totally swear by the sound of them in spite of the unit's unreliability and poor sound. There are others that get great results with whatever gear the studio has available.

You need to research what sells and what doesn't to your client base. You also have to be true to yourself. If brand X sounds remakably better than brand y and gives you better results but is more expensive, you have to evaluate the costs versus our old friend ROI (return on investment).

If...in anyway, shape or form, you can make the music better, you can, in turn, concievably sell that to a client.

What makes your place special? Why would someone use your facility of another? These are the decisions you have to make first when evaluating equipment purchases.


Bill Dooley
_________________________
Studio Guru

Top
#989886 - 02/16/05 04:20 PM Re: Gear Vs Clients
Funnelhead
Member


Registered: 02/11/05
Posts: 13
Loc: Montreal

Offline
Thanks to Bill, Lee F. & Bdbklyn for the solid thoughts!

In response to Lee's question, I am looking at keeping a "boutique" profile for the first 6 months or more. This is a smallish market and I would rather "give away" time with quality work in the short term. Then add options and give greater emphasis to R.O.I. down the road.

Anyone want to convince my wife?
No, no, she'll come around.

I would love some tips on Key strategies for winning over clients form experienced folks out there. I think being the "bargain basement guy" is a ticket to oblivion.

Your view?
_________________________
"The world is a fine place and worth fighting for." - Ernest Hemingway

Top
#989887 - 02/18/05 02:29 AM Re: Gear Vs Clients
zele
Platinum Member


Registered: 01/12/01
Posts: 1136
Loc: carmel,CA,UNITED STATES

Offline
Quote:
Originally posted by Funnelhead:
Thanks to Bill, Lee F. & Bdbklyn for the solid thoughts!

In response to Lee's question, I am looking at keeping a "boutique" profile for the first 6 months or more. This is a smallish market and I would rather "give away" time with quality work in the short term. Then add options and give greater emphasis to R.O.I. down the road.

Anyone want to convince my wife?
No, no, she'll come around.

I would love some tips on Key strategies for winning over clients form experienced folks out there. I think being the "bargain basement guy" is a ticket to oblivion.

Your view?
LOOK first at that R.O.I. ( at least to keep the wife happy)



We have been a very busy boutique --home studio--- for over 15 years. I would try to specialize in this " recording world." Really learn the gear {hardware & software ) and how to record a artist fairly quickly.


Our fees * are only $125 per hour .. and we specialize in single/duo artist whom are only trying to sell tunes >> not a performing band selling CD's. We also provide "psuedo" mastering and full accompainment on the tunes. (Usually have a 3 song minimum , 8 hours a session )
SO no live drums to setup---usually bass is performed on the keyboard . So really a few mics for accoustic instruments and micing a cab -- Bargin gear {we sold our BLUE & AKG and Neuman mics } and found a bunch of used mics > ROde & AT mics & SE . Don't get caught up in the buying of gear the artist has never heard of ~ nor are willing to pay. If the clients request a particular item > have them rent it. :::: R.O.I.

coverted garage--
_________________________
C Jo Go Crystal Studios
http://fp2k.redshift.com/cjogo/recording_studio.htm

Top
#989888 - 02/18/05 03:22 PM Re: Gear Vs Clients
Funnelhead
Member


Registered: 02/11/05
Posts: 13
Loc: Montreal

Offline
Thanks for the look inside your "garage", Zele.
I think that what some might call the "hobby market" is where you're making things happen. That is a nice looking set up. You seem to have done some acoustic treatment on the ceiling but I can't really see much detail there.

I don't disagree that the rental option is sometimes the way to go. Trouble with is that if a client goes gear comparison shopping, you could not not even get a chance to sell them on your studio. I bet word-of-mouth is working for you, but I don't have a track record yet.

I will try to match gear to situations/clients and try to frame the rental option as a "getting deluxe equipment, means paying deluxe" option. That said, I will be spending upwards of $2K on microphones within the next year. I don't do this just for the client, but also because I want to take my work professionally and shoot for high standards and satisfaction. :p I am focusing on process right now - I figure doing is knowing - eventually.

All the best with your biz!
_________________________
"The world is a fine place and worth fighting for." - Ernest Hemingway

Top
#989889 - 02/18/05 05:45 PM Re: Gear Vs Clients
zele
Platinum Member


Registered: 01/12/01
Posts: 1136
Loc: carmel,CA,UNITED STATES

Offline
With so many quality mics assembled in China ---it is amazing what the price of Ribbon or Tube mic can cost-these days. Just ordered a Multi pattern & a Ribbon from the T. Bone line

I think this BLUE looking copy is $100 T BONE MICS
_________________________
C Jo Go Crystal Studios
http://fp2k.redshift.com/cjogo/recording_studio.htm

Top
#989890 - 02/18/05 06:01 PM Re: Gear Vs Clients
zele
Platinum Member


Registered: 01/12/01
Posts: 1136
Loc: carmel,CA,UNITED STATES

Offline
Not a C12 ..by any means ~~~ but at a few $$ hundred dollars?? Not one has ever asked for U 67 / Telefunken/Langevin or even Neve, etc. But then again we specialize in clients ==looking to just get their tunes down >>> for selling the idea.
_________________________
C Jo Go Crystal Studios
http://fp2k.redshift.com/cjogo/recording_studio.htm

Top
#989891 - 02/18/05 06:11 PM Re: Gear Vs Clients
zele
Platinum Member


Registered: 01/12/01
Posts: 1136
Loc: carmel,CA,UNITED STATES

Offline
[QUOTE]Originally posted by Funnelhead:
[QB] Thanks for the look inside your "garage", Zele.
I think that what some might call the "hobby market" is where you're making things happen. That is a nice looking set up. You seem to have done some acoustic treatment on the ceiling but I can't really see much detail there.


Room was tweaked by Mr Hodas...
BOB HODAS

direct site
_________________________
C Jo Go Crystal Studios
http://fp2k.redshift.com/cjogo/recording_studio.htm

Top
#989892 - 02/19/05 12:36 AM Re: Gear Vs Clients
zele
Platinum Member


Registered: 01/12/01
Posts: 1136
Loc: carmel,CA,UNITED STATES

Offline
[QUOTE]Originally posted by zele:
[QB] [QUOTE]Originally posted by Funnelhead:
[QB] Thanks for the look inside your "garage", Zele.
I think that what some might call the "hobby market" is where you're making things happen. "


I only wish IRS would classify this as a "hobby"
_________________________
C Jo Go Crystal Studios
http://fp2k.redshift.com/cjogo/recording_studio.htm

Top
#989893 - 02/21/05 03:29 PM Re: Gear Vs Clients
dcwave
Senior Member


Registered: 02/19/01
Posts: 36
Loc: Spanish Fork, Utah, USA

Offline
Zele, did you buy those t.bone mics from a USA distributor or direct? If direct how much did you end up paying for shipping/customs etc..?

Thanks

Top
#989894 - 02/21/05 03:34 PM Re: Gear Vs Clients
zele
Platinum Member


Registered: 01/12/01
Posts: 1136
Loc: carmel,CA,UNITED STATES

Offline
Working on that today...waiting for a quote! Will keep you informed.

cjogo
_________________________
C Jo Go Crystal Studios
http://fp2k.redshift.com/cjogo/recording_studio.htm

Top
#989895 - 03/11/05 11:19 PM Re: Gear Vs Clients
LavaMan
Senior Member


Registered: 03/11/05
Posts: 233
Loc: Fayetteville, NC

Offline
Matt,

Lava Cable seems to be a brand name now that is pulling in clients....I more have more 10 dealers in 7 different states...You may want to reconsider your relationship with Monster...ar, ar, http://www.lavacable.com

Your Groove buddy,

Mark
_________________________
Lava Man
http://www.lavacable.com
Your One-Stop Custom Cable Shop

Top
#989896 - 03/14/05 06:34 PM Re: Gear Vs Clients
Matt.Hepworth
MP Hall of Fame Member


Registered: 03/13/01
Posts: 2972
Loc: Riverdale, UT

Offline
Quote:
Originally posted by LavaMan:
Matt,

Lava Cable seems to be a brand name now that is pulling in clients....I more have more 10 dealers in 7 different states...You may want to reconsider your relationship with Monster...ar, ar, http://www.lavacable.com

Your Groove buddy,

Mark
Hmmm... I have no relationship with Monster - I don't care much for them and definitely don't use them.
_________________________
No matter how good something is, there will always be someone blasting away on a forum somewhere about how much they hate it.

Top
#989897 - 03/15/05 10:15 AM Re: Gear Vs Clients
LavaMan
Senior Member


Registered: 03/11/05
Posts: 233
Loc: Fayetteville, NC

Offline
Matt,

I thought you said to me that you had some sort of sponsorship deal with them after I told you about my cables...conflict of interest or something...oh well sorry I misunderstod

Mark
_________________________
Lava Man
http://www.lavacable.com
Your One-Stop Custom Cable Shop

Top
#989898 - 03/18/05 12:10 PM Re: Gear Vs Clients
Philip O'Keefe
10k Club


Registered: 12/17/00
Posts: 17674
Loc: Riverside,CA,UNITED STATES

Offline
I do occasionally get the client or prospective client who cares about the "names". In some cases, it's a simple matter of someone having heard the "name" someplace, and reciting it like a parrot. Occasionally I get a client who asks about something specific for a legitimate reason - a while back, when getting ready to do vocal sessions for Adrian Pressley's (formerly with the Harlem Spiritual Ensemble) latest album, I was asked if I had a U87... apparently Adrian had been using a 87 at Abbey Road and the NYC studios he had been working at... but after hearing his voice (an incredible bass), I suggested a 251... after a little trepidation on his part, he tried it and LOVED it... and now that's what he uses / prefers.

But at least he had a REASON to ask about the Neumann. Many / most of the people who want something specific have no clue as to what it is or why they might or might not want to use it.

Most of my clients don't really seem to care about the gear - they expect ME to care about the gear - that's MY job... they just want to know I have decent stuff, and know how to use it. \:\)

The one exception to that seems to be.... Pro Tools. :rolleyes: ;\) \:D
_________________________
Phil O'Keefe
Sound Sanctuary Recording
Riverside CA
http://www.ssrstudio.com
http://www.philokeefe.com
pokeefe777@ssrstudio.com
My New Forum on Harmony-Central

Top
#989899 - 03/18/05 12:36 PM Re: Gear Vs Clients
robmix
Platinum Member


Registered: 05/22/01
Posts: 1187
Loc: Los Angeles,CA,UNITED STATES

Offline
I get the console question quite a bit. So much so that we're thinking of buying one even though I have an insane rack of mic pre's. I've had to go to other studios with clients simply because they just don't get the outboard mic pre thing. As far as microphones, everyone thinks they have to sing into a Neumann even though they have no idea about any model number except the U87 (which I personally think is a fine doorstop). Quite often it's the A&R guy that thinks recodings have to be done a certain way - tracked on a Neve, must be Pro Tools, and mixed on an SSL.
_________________________
Rob Hoffman
http://www.elicitmusic.com
Los Angeles, CA

Have you done enough ?
http://dartone.org/

Top
#989900 - 03/18/05 04:29 PM Re: Gear Vs Clients
Philip O'Keefe
10k Club


Registered: 12/17/00
Posts: 17674
Loc: Riverside,CA,UNITED STATES

Offline
I was going to make some A&R comments after reading your last post Rob, but I think I'll keep them to myself. \:\)
_________________________
Phil O'Keefe
Sound Sanctuary Recording
Riverside CA
http://www.ssrstudio.com
http://www.philokeefe.com
pokeefe777@ssrstudio.com
My New Forum on Harmony-Central

Top
Page 1 of 2 12>


Moderator:  bdbklyn 
Hop to:
Support Your Forums