Because of physics, low frequencies cause overcuts (which lead to skips) more than high.
Limiting only gets you so far...
But don't let this stop you. I always hated mastering people telling me to filter/attenuate the bass. I did a record in, oh 1978, called "The Last Record Album" where we had Bill Payne double the bass an octave *below* and it really thundered. Doug Sax mastered it almost flat. Maybe it skipped on shitty systems, but, hey...
You'll get more comprehensive answers from the other forums I hope.
