Jump to content


Please note: You can easily log in to MPN using your Facebook account!

Ted Greene - Full MI seminar.


CEB

Recommended Posts

Don"t know if this will be of any interest. I was captivated by it probably mostly because I tortured myself as a teen by studying Ted Greene"s book Chord Chemistry. It was must study material but it was a titanic feat trying to organize that much knowledge in a book.

 

[video:youtube]

"It doesn't have to be difficult to be cool" - Mitch Towne

 

"A great musician can bring tears to your eyes!!!

So can a auto Mechanic." - Stokes Hunt

 

Link to comment
Share on other sites



  • Replies 8
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

That book is the bible of jazz guitar theory. He was a very interesting cat. My girlfriend's first husband studied with him, a client of mine had a vocal/guitar duet with him, but mostly he very rarely played out. I have a video of him playing at a wedding, sitting alone in a corner, being ignored by everybody, & playing the most amazing & complex stuff imaginable. It's great to see there's an instructional video with him. I'll have to get out my copy of 'Chord Chemistry' & see if I can follow along & keep up for more than a half page.
Scott Fraser
Link to comment
Share on other sites

Me either, not far at all in fact.

 

Memorizing all of those variations so you can play without thinking (the only way I enjoy playing) is an enormous task.

 

I've always absorbed guitar learning in terms of patterns, which is a real time saver. One pattern can be used in 12 different locations, the pattern does not have to change, like it does for keyboards.

Patterns are "scale/chordal forms" in my guitar-brain world but I've never excluded any notes that lay outside those patterns. My knowledge of chords is pretty basic but I often play chords that are not basic.

It is a matter of recognizing that melody can flow through a variety of harmonic potentials and that "wrong" notes can often be exactly the perfect thing to create tension or make the lines flow as the underlying patterns shift.

 

Yes, that makes no sense. I could never have written a book like Ted's, it is a remarkable accomplishment.

 

If I had tackled it when I was in my teens and my tiny brain was not full yet, I may very well have gotten somewhere.

As it stands now, I have the entire neck as a playground and can play as "normal" as needed or toss my own freaky-deaky touches in when inspiration hits. So I am happy.

It took a chunk of my life to get here and I am still not sure where "here" is.
Link to comment
Share on other sites

  • 2 weeks later...

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

×
×
  • Create New...