kwyn Posted October 21, 2019 Share Posted October 21, 2019 It is definitely more than just the Leslie, but never could figure it out. I believe the effect is on for the duration of the song but to hear it clearly the solo starts around 1:37 [video:youtube] Quote Link to comment Share on other sites More sharing options...
mate stubb Posted October 22, 2019 Share Posted October 22, 2019 All I hear is overdrive and leslie. Quote Moe --- Link to comment Share on other sites More sharing options...
Steve Nathan Posted October 22, 2019 Share Posted October 22, 2019 I only hear Leslie and not much overdrive really. It is miked with bright mikes, more like 414s than 57s for example, but could be any of many open sounding mikes. Probably EQed in the mix that way as well, but I hear no other effect. Quote Don't rush me. I'm playing as slowly as I can! http://www.stevenathanmusic.com/stevenathanmusic.com/HOME.html https://apple.co/2EGpYXK Link to comment Share on other sites More sharing options...
analogika Posted October 22, 2019 Share Posted October 22, 2019 Pure Leslie (sim), mic'ed hard left and right and panned all the way apart. Quote "The Angels of Libra are in the European vanguard of the [retro soul] movement" (Bill Buckley, Soul and Jazz and Funk) The Drawbars | off jazz organ trio Link to comment Share on other sites More sharing options...
kwyn Posted October 22, 2019 Author Share Posted October 22, 2019 Well I'm lost then. So, you think 180 degrees on the mics? Is the Leslie slower than usual on fast speed? Maybe it's the drawbars I can't figure out then. Thanks! Quote Link to comment Share on other sites More sharing options...
Steve Nathan Posted October 23, 2019 Share Posted October 23, 2019 Is the Leslie slower than usual on fast speed? A real Leslie doesn't have a consistent "usual" fast speed. The factors that make one Leslie spin and sound different from another are numerous. Quote Don't rush me. I'm playing as slowly as I can! http://www.stevenathanmusic.com/stevenathanmusic.com/HOME.html https://apple.co/2EGpYXK Link to comment Share on other sites More sharing options...
MathOfInsects Posted October 23, 2019 Share Posted October 23, 2019 Well I'm lost then. So, you think 180 degrees on the mics? Is the Leslie slower than usual on fast speed? Maybe it's the drawbars I can't figure out then. I think it's the hard-pan you're noticing. Quote Now out! "Mind the Gap," a 24-song album of new material. www.joshweinstein.com Link to comment Share on other sites More sharing options...
kwyn Posted October 23, 2019 Author Share Posted October 23, 2019 Well I'm lost then. So, you think 180 degrees on the mics? Is the Leslie slower than usual on fast speed? Maybe it's the drawbars I can't figure out then. I think it's the hard-pan you're noticing. Can you elaborate? How could I replicate that? Quote Link to comment Share on other sites More sharing options...
Tom Williams Posted October 23, 2019 Share Posted October 23, 2019 Another vote for close miking. The organ solo ended pretty quickly, but I suspect that the drawbars, instead of the "usual" 88 800 0000, are more like 85 462 5226 or something -- lots of bright octaves, subdued mutation drawbars. I would have posited a Farfisa Compact through the leslie, but there is a definite 5-1/3' stop in the last, slow leslie note of the organ solo. Quote -Tom Williams {First Name} {at} AirNetworking {dot} com PC4-7, PX-5S, AX-Edge, PC361 Link to comment Share on other sites More sharing options...
analogika Posted October 23, 2019 Share Posted October 23, 2019 Well I'm lost then. So, you think 180 degrees on the mics? Is the Leslie slower than usual on fast speed? Maybe it's the drawbars I can't figure out then. I think it's the hard-pan you're noticing. Can you elaborate? How could I replicate that? Normally, you have a Leslie horn mic'ed in Stereo with the mics aimed at the horn from roughly 90° apart (sometimes reinforced with an additional mic from a distance), and then panned fairly close to one another to position the instrument somewhere in the sound stage. In this case, it sounds to me like the mics are on opposite sides of the Leslie, and the signals are hard-panned full left and full right across the mix. Quote "The Angels of Libra are in the European vanguard of the [retro soul] movement" (Bill Buckley, Soul and Jazz and Funk) The Drawbars | off jazz organ trio Link to comment Share on other sites More sharing options...
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