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#2462081 - 01/10/13 06:08 PM
Modern Recording Explained
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Platinum Member
Registered: 11/21/07
Posts: 1478
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#2462112 - 01/10/13 11:07 PM
Re: Modern Recording Explained
[Re: p90jr]
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MP Hall of Fame Member
Registered: 07/28/04
Posts: 2200
Loc: Dallas/FW Metroplex, Texas
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Nice! Ha ha!
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Sturgeon's 2nd Law, a.k.a. Sturgeon's Revelation: “Ninety percent of everything is crap”. My FLMS- Murphy's Music in Irving, Tx http://murphysmusictx.com/
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#2462186 - 01/11/13 10:02 AM
Re: Modern Recording Explained
[Re: Larryz]
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MP Hall of Fame Member
Registered: 03/20/05
Posts: 3521
Loc: Los Angeles
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Very cute...a lot of mulah just to get it down to those $12 earbuds. Yeah, but nothing new about that at all. In the 60s & 70s I listened to all that same gear (substitute an $80,000 Studer 24 track for the $20,000 ProTools HD system,) on a $59 Radio Shack turntable through some home made speakers plugged into a Lafayette receiver. Same approximate diminution of sound quality.
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Scott Fraser
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#2462187 - 01/11/13 10:08 AM
Re: Modern Recording Explained
[Re: Scott Fraser]
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MP Hall of Fame Member
Registered: 06/03/09
Posts: 3823
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We discussed this on Facebook. Which led to discussing headphones. I just got a new set of Sennheisers. They are supposed to be good. But I don't know, they sound fine but they do not feel substantial. Old Koss cans those felt like headphones.
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"In the old days wrong notes were the right of the genius" - Arrau
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#2462189 - 01/11/13 10:15 AM
Re: Modern Recording Explained
[Re: CEB]
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MP Hall of Fame Member
Registered: 03/20/05
Posts: 3521
Loc: Los Angeles
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We discussed this on Facebook. Which led to discussing headphones. I just got a new set of Sennheisers. They are supposed to be good. But I don't know, they sound fine but they do not feel substantial. Old Koss cans those felt like headphones. Koss Pro4/AA were the de facto pro standard in the early 70's. And the most excruciatingly painful things I've ever clamped around my ears. Torture devices.
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Scott Fraser
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#2462190 - 01/11/13 10:21 AM
Re: Modern Recording Explained
[Re: Scott Fraser]
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MP Hall of Fame Member
Registered: 06/03/09
Posts: 3823
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Yep those are the ones. These Sennheisers are like not wearing anything.
_________________________
"In the old days wrong notes were the right of the genius" - Arrau
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#2462215 - 01/11/13 11:35 AM
Re: Modern Recording Explained
[Re: Winston Psmith]
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MP Hall of Fame Member
Registered: 07/28/04
Posts: 2200
Loc: Dallas/FW Metroplex, Texas
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Hey, if I could sell my music as ringtones, I would! Then again, I do not consider myself an "artiste"... 
Edited by Dannyalcatraz (01/11/13 11:35 AM)
_________________________
Sturgeon's 2nd Law, a.k.a. Sturgeon's Revelation: “Ninety percent of everything is crap”. My FLMS- Murphy's Music in Irving, Tx http://murphysmusictx.com/
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#2462243 - 01/11/13 01:16 PM
Re: Modern Recording Explained
[Re: Dannyalcatraz]
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MP Hall of Fame Member
Registered: 05/22/07
Posts: 2228
Loc: Near Phoenix Az
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#2462294 - 01/11/13 10:05 PM
Re: Modern Recording Explained
[Re: Larryz]
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MP Hall of Fame Member
Registered: 03/20/05
Posts: 3521
Loc: Los Angeles
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In the 60's and 70's I loved plugging my old turntable 33's into my mono guitar amp...still a great sound if you want some loud live sounding music... Dang, I did that too. I clipped some leads onto the cartridge of my cheap all-in-one turntable/amp/speaker & plugged it into my Vox Super Beatle. Crude, but loud.
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Scott Fraser
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#2462334 - 01/12/13 07:23 AM
Re: Modern Recording Explained
[Re: Scott Fraser]
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MP Hall of Fame Member
Registered: 05/13/02
Posts: 4884
Loc: Lincoln Park, MI, UNITED STATE...
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In the late '60's, for a short while, I was in possession of an old Voice of Music reel-to-reel tape recorder. It had a small auxillary speaker( 4"). I could plug my cheap-o Kalamazoo straight into the mic input and have a small, not too loud "personal amp". That tiny speaker gave me a sort of "Clapton" sound. Much cleaner when I recorded straight to the tape through the jack input. Whitefang
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I started out with NOTHING...and I still have most of it left!
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