You've had several really good articles on B3 technique lately. In all of them, the artist says that, while he prefers the real deal, he does get calls to play B4 on dates and they all seem to mention 'tricks' for getting a realistic sound from VSTis.

I would very much like to see a long form article on this topic---'How to get the most from virtual B3s'.

I -rarely- find any of the VSTis -satisfying- sounding... at least not in the way that any number of virtual pianos sound (and play) quite nicely.

So if there are 'secrets'? I'd love to know about 'em.