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The Keyboard Corner

Synths, pianos, software, analog, digital, modeling, virtual instruments, programming tips - this is the place on the web for discussions, debates, opinions and assistance...and the occasional sports thread.

 

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Subforums

  1. Repairs and Mods

    Repairs, modifications, tips, tricks and other suggestions for ailing keyboards and synthesizers.

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  1. Nothing

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  2. Keyboard amplification

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  3. midi mixer for my Nektar GXP

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  4. Hammond M-Solo 1 2 3 4 5

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  5. RIP Dickey Betts

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  6. Primrose Hill

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  • Trending posts on MPN

    • There's a guy in town who does the "one board for each sound" thing -- a Hammond chop with a Leslie, a Wurly and/or Rhodes (plus separate amp), sometimes a clonewheel, even an upright piano.   It makes great optics.    I'll leave it at that.    Signed, Guy whose NS3C weighs 22 pounds.
    • This is the third forum at least that you ask exactly the same... Why don't you take some time to learn synthesis?. You have been already given advice on that elsewhere (Sound on Sound tutorials)   Trying to find shortcuts won't help in the long run, trust me
    • https://reverb.com/item/13903431-2-pc-te013-1-4-female-ts-mono-jack-to-male-3-pin-xlr-microphone-plug-adapter?bk=eyJhbGciOiJIUzI1NiJ9.eyJqdGkiOiIyOGRiOThiNS05ZThiLTRlODYtYjE0NC05NGQ0ZmJjYmUzMGQiLCJpYXQiOjE2OTY4NjU2MjYsInVzZXJfaWQiOiIiLCJzZXNzaW9uX2lkIjoiIiwiY29va2llX2lkIjoiOWIzMmQ4YzYtMzczYy00NTU0LWJkM2EtODM2YjMxYzNkMDg0IiwicHJvZHVjdF9pZCI6IjEzOTAzNDMxIiwic291cmNlIjoiTk9ORSJ9.3fz0inXZWRr5z2vgtlqx1JICzHz0a9pYeWmvHYQO9Og
    • The speed "AI music" has been improving at lately is truly impressive. https://www.udio.com/songs/2G19zjD3rMHon3xvqbTdAv
    • I asked ChatGPT if it could comment on what you said. Here's what it said:   Certainly! Music is a fascinating realm where our brains respond to patterns, emotions, and creativity. Let’s delve into the points raised in the passage:   Catchphrases and Clichés:   Many songs, especially in popular genres, rely on familiar phrases, hooks, and clichés. These elements create comfort and recognition for listeners. However, overused or unoriginal phrases can become repetitive and lose impact. Songwriting and Creativity:   Songwriting is an art form that involves storytelling, emotional expression, and creativity. Talented songwriters carefully craft lyrics, melodies, and structures to evoke specific feelings and connect with listeners. A well-written song often has a clear theme, relatable emotions, and a memorable melody. AI and Songwriting:   Artificial intelligence (AI) has been used to generate lyrics and music. AI models analyze existing songs, learn patterns, and create new content based on those patterns. However, AI-generated songs may lack the depth, emotional nuance, and originality that human songwriters bring. The Radio Song:   While it’s unlikely that the specific song you heard was entirely AI-written, it might have followed predictable patterns. Some radio songs prioritize catchiness and familiarity over lyrical depth. If a song lacks a clear anchor or direction, it can feel disjointed or lacking substance. Human vs. AI Songwriting:   Human songwriters draw from personal experiences, emotions, and cultural context. AI generates content based on statistical patterns without true understanding. The best songs often blend creativity, authenticity, and craftsmanship. In summary, our reactions to music are subjective, whether it’s composed by a human or an AI. Even the catchiest tunes evoke different responses in each listener.
  • In MPN’s GEARLAB

    • I just bought one used two days ago.   I had in the past (a very past) the original ARP Odissey and an Avatar (the guitar version of the Odissey). They sounded quite differenti, and now I understand why: two different version of the filter. A friend of mine still have the all black one with coloured sliders, which Is again different, maybe two poles filter?   Anyway the Behringer sounds good but a bit differenti too.   My ARP had a ring modulator I used to build fabolous bell like sounds: metallic, full of harmonics.    The kind of sound you can hear on Japan Tin Drum or Oil on Canvas albums.   Until now I couldn't recreate this sound.    Neither the Avatar did. Just my ARP Odissey I sold for little Money :(
    • In V.A.S.T., be it the original V.A.S.T. or the newer vaster V.A.S.T. with Cascade and Dynamic, there are several ways you can use internal DSP sources with Samples:   1. Samples only 2. Internal DSP Oscillators only without any Sample 3. Samples mixed with internal DSP Oscillators   In the new V.A.S.T., you can certainly use a multi-sampled Keymap, alongside an internal anti-aliased DSP Osc, e.g. a 2-block SINE+ for a single Layer, or even an aliased one like the old SAW+.   For larger AA DSP Oscs, e.g. the 4-block SAW, you'd need to use Cascade Mode, a passthrough signal and a Mixer ALG.   So these aren't mutually exclusive. Instead, what the manual seems to indicate is that if you want to do a traditional analogue subtractive synth, then you'd rather not use a Keymap, which makes sense since analogue subtractive synths don't use them at all.   You can  still use a Keymap's sample Envelope if it is set to Natural, even if the Sample itself isn't sounding via the Layer, say, if you have simply a 4-block AA DSP SAW. That SAW block effectively cuts off any of the Sample signal. However, as the AMPENV mode is set to Natural, it is the factory AMPENV for that multi-Sampled Keymap that is applied to the Layer.   The Natural envelopes have more details than can be produced with a User AMPENV.   The thing that happens with setting the Keymap to Silence is that it sets each key's amplitude to the same maximum amplitude. Maybe that's what you need in a certain program, but sometimes, if you are doing an emulative program, you could be better off actually referencing the emulation's Keymaps Sample although the latter isn't heard, with the corresponding Natural Envelope, or of course, you could just go into User Mode and make your own envelope.   Hope this helps.
    • Sweetwater might accept to deliver to Canada, but you will be charged transport accordingly and as anything going USA to Canada your item will go through customs and it is always possible to end up with extra fees - sometimes very expensive. I personally had a very bad experience about 10 years ago and promised myself to never import again from the USA unless the seller confirms on paper he pays for all possible customs and duties extra fees.   Buying Kurzweil products in Canada has always been complicated. In the 1990s a few stores in the province kept a couple of them, but if you wanted something they didn't have you had to order sight unseen and wait months to get your purchase. That is how I bought my MIDIboard, K1200 and finally, around 2000, a PC2X. I hated the Fatar action on the PC2X from day one and swore to never buy a keyboard sight unseen ever again.
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